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this is how the structures below would look days after it is finished and painted
the left is the front(absorbers ) and below the ceiling structures(5 pcs ...2 deepbass traps,a single black high bass,and grey and brown colored Mid/hi absorbers)
the control room must be fully absorbent up to the engineers position,below is the front with 2 mid/hi absorbers,and a photo above of the 5 panel absorbers,2 deep bass traps ,2 hi and mid freq absorbers and a single hi/bass combi.all unfinished yet ...you will see what it looks like after the rooms finishing....believe me they make the room sound great. note below on the right side is the vocal booth.
i urge music producers and engineers,studio managers to get a hold of PHIL RAMONES book,MAKING RECORDS ...with highlights on his experience with so many popular artist.i had searched hi and low for this book ,and i found it in MOA ,"fullybooked"bookstore.....an amazing book,an amazing producer and author...i cannot express enough gratitude ,
learning so much after reading it.

the studio windows are the challengers of studio sound transmission prevention.....if not constructed well ,will allow sound to pass from 1 room to another.using 2 glasses of unequalled thickness,resonation is prevented and the huge air gap between glass dissipate the sound...bear in mind that the integrity of the glass wall structure is PARAMOUNT for success.the photo on the left is a prepared window for the vocal booth ,the right is the window between the recording room and control .this structure can be seen in its unprepped form below on some photos.
ceiling structure must be torn down and strengthened ,to accomodate the heavy acoustic absorption materials and diffusors to be installed on finishing the rooms.notice the previous,not so good construction below and how it looks a week later...notice the rockwool ,fiber batting installed under the 2ndary structure to beefed up the walls isolation capability ,reducing transmission of sound within and from the outside.